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Because it is "without of anger, she enters a non-emotional relationship with Antoine just end up in u n bed, making love, do not talk, do not know or s' clutter, go to the essentials. Try not pl us suffer focusing not on the other. Merely the smell of soap, texting, underwear on the floor and still mornings.
Fiction (autobiographical?) A thirty weakened by the blows but still sensitive, praise of silence for the love is a story that does not forget to be modest and to question. It feels genuine and spontaneous.
In this story, there are two George Fisher. One is a youth of twelve years, a descendant of a family of entertainers and the other is a ventriloquist's puppet - a "boy " - that belonged to his grandfather.
While the first tells us about his family and his schooling chaotic boarding (we are in 1973), the second also gives us his view of Fisher and his relationship with Joe, his partner in ambitions too staggered to his mother, a famous ventriloquist. Even if they have never met, stories of both George are interrelated and will be more and more.
be found in the writing of Wesley Stace a very strong narrative Anglo-Saxon, who snaps up without too much drag. The alternating narratives of two George, the very idea of ventriloquism and voice given to the puppet - not so innocent witness to the lives of others - all this gives a density fascinating to all.
And Oskar is driving this "his territory family" waiting to be discovery. His father died a year earlier in the attacks of September 11 and that, that is not explained, it does not make sense when you have nine. And when it is in the business of the father disappeared with a key inside a case where only the word "Black," Oskar says that this key will provide the missing explanations.
If his work leads him dating personals (there are millions of locks could be opened with this key and there are many "Black" in New York) that will learn about the adult world and himself, we also discover parallels between the story of his grandparents, German immigrants.
A theme that might seem heavy, but that is not at any time. An airy tone and dynamic in the narrative of this little boy intelligent, lively and sensitive. "Extremely Loud and Incredibly Close" is a particularly touching story but jam ais pathetic. It lacks neither humor nor inventiveness and shows some insight on the grieving and missing that make us change.
Punctuated Imagence photos and accentuate the point, this novel positively challenged me, despite my reluctance to enter. Like what, it is often worth more than its a priori ...
P hilippe and Martine Delerm , Anne and Didier Convard , Jack Chaboud , Michel Picquemal , Lisette Morival and Christian Robin are members of this band of "treasure box". Each taking his words in hand to draw the portrait of his memories.
If I blame the whole thing a bit of intellectualizing aesthetics, or to have a little too restrained in style (rather conventional and sometimes smooth), I was also touched by the feeling of sighing with the authors on the images attached to these objects further apart from each than others. Noted a slight preference for the pen more sparkling Chaboud Jack, who has definitely changed my view of the mint ...